Rubble is a class act of an album – do your best to check it out. It will surprise those that are both longtime fans of Karen Hunter and impress those that had never heard of her.
**** (4 stars)

Simon Sweetman, Dominion Post
May 2007

‘Rubble’ is a stunning and varied set that grows with each listening. Helped by some fine guest players (including the rhythm section of Aaron Coddel and Ron Samsom). Káren has created an intense listening experience. Some of the reed voicings (such as on Authority) sound like US sax master David Sanborn, and her voice is often reminiscent of Ricki Lee Jones at the height of her Chuck.E’s in Love fame. The 12 largely jazz/blues tracks were all written, recorded and produced by Káren, mixed ( and partially recorded) by Nicholas Rogan. To me, it’s her guitar playing that steals the show, she displays so much scope and taste throughout. This CD is a real treat.

Peter Dent, NZ Musician Magazine
April/May 2007

Karen Hunter is the new bohemian Jones girl, where gloriously vivid Tom Waitsian narrives ‘Mr Whippy Rides Again’ and ‘Make My Day’ rub shoulders with the jazz trippy ‘Drunk and Disorderly’, the torchy ‘Kids in the Hall’ and smoky ‘Oblivion’. ‘Rubble’ is almost the album she was born to make. **** (4 stars)

Mike Alexander, Sunday Star Times
March 2007

You can’t help but get down to the skulking bass grooves on Drunk & Disorderly, the first song off Karen Hunter’s third album.
Then there’s Fight or Flight, a delightful and breezy blues jaunt with beautifully brushed beats. Compared with her past work, which moved from classic singer/songwriters moments to outbreaks of raucous rock (2001’s Inside Outside), Rubble is refined, more consistent in musical mood, and more accessible.
**** (4 stars)

Scott Kara, New Zealand Herald
March 2007

(Rubble) is much more musically coherent than her previous outings and in places owes more than a little to the early sound of Tom Waits and Rickie Lee Jones.
But those are only the most obvious references and keen ears will hear much more in the emotional depth of these songs. And some strange soundbeds for her lyrics.
Karen Hunter is one of a kind, and this album is further proof of that.

Graham Reid, Elsewhere
March 2007

Instead of Hunter’s longstanding mix of acoustic heartfelt folksy pop, her forth-solo album Rubble is heavily infused with deep dirty jazz and a smidgen of alt-country. A visual comparison could be imagining a worthy performer that always appeared on stage unadorned in jeans and work boots and then made herself over to appear in a sequined slinky dress and heels. This transformation (which has come about after Hunter has spent the last few years in formal study of her craft) has made for a rich languid recording with a beauty and depth that affords timelessness. The standout track is the sophisticated silky voiced ‘Authority’ evoking images of performances in a smoky 1930’s jazz club. But I think that its songs like ‘Mr. Whippy Rides Again’ and ‘Make My Day’ where she spins ironic tales of small town kiwi losers which give the recording it’s kick and distinct original flavour. **** (4 stars)

Sharyn Croft, Groove Guide
May 2007

On Rubble, Hunter wears her Tom Waits and Rickie Lee Jones influences on her sleeve, but all the while honing in on her own unique lyrical flow and nifty phrasing approach. That she can switch from a dirty jazz-blues rhythm section arrangement to a simple guitar-picking delivery to spoken word reveals Hunter as a major New Zealand talent. From every turn, Rubble is one rough-cut gem of an album.
**** (4 and a half stars)

Steve Scott, Wiakato Times
May 2007