Tim Guy

tim-guy.jpgTim Guy is originally from Melbourne but these days he calls Auckland, New Zealand home. Back in 2002 he met Bic Runga backstage after one of her gigs and gave her a demo tape of a few of his songs. Bic liked them so much she offered to produce his album and she ended up playing drums and guitar and lending her voice to the material as well. The resulting album ‘Blazey’ was released in 2004 on Bic’s new label ‘Nu Shoo Records’.

Tim played support for Bic on her Acoustic Churches tour that year, performing 25 shows to over 15,000 people, and since then he has been in constant demand touring with the likes of Miriam Clancy, Paul McLaney, Age Pryor, Steve Abel and Tommy as well as undertaking his own 33 date solo tour in 2006. Tim was also lucky enough to hold the honour of supporting multiple Grammy award winning American songwriter, Jimmy Webb, at the Sky City Theatre in Auckland in 2005.

Tim is currently finishing his second as yet untitled album which will be released in October. The recordings feature his band ‘The Tutaes’ which consists of Anika Moa (vocals, bass) and Anna Coddington (vocals, drums), both acclaimed singer/songwriters in their own right. The band will be touring New Zealand together in October/November and will be appearing at festivals over summer.

Tim recently received NZ on Air funding for his first music video ‘Cater for Lovers’ which will be directed by James Solomon (Batucada Sound Machine, Káren Hunter) and filmed by Richard Harling (Don McGlashan, Katchafire, Minuit).

Tim Guy - Cater for Lovers

cater-for-lovers.mp4

Cater for Lovers is the second single off Tim Guy’s new album ‘Hummabyes’ and features the heavenly backing vocals of Anika Moa and Anna Coddington.

This is a beautiful video built around traditional non-digital special effects of scale and perspective.

It is the story of a shy girl and an artistic man who connect through her doll’s house which they are then transported into. Inside the doll’s house they travel through four different time periods: Edwardian, ’50s, ’70s and present day and explore how their relationship could have been.

The video is reminiscent of the work of the French film director Michel Gondry (Science of Sleep) in how turns its back on high-tech effects for a more playful low-fi feel which perfectly complements Tim’s music.

This NZ on Air funded clip is directed by James Solomon stars Leisha Ward-Knox and Tim Guy, and was shot by Richard Harling with production design by Shayne
Radford and Leah Morgan and post-production by Nigel Mortimer.


Tim Guy - Summer Breeze

summer-breeze.mp4

Tim Guy comes forth with what surely must be the lightest gentle ode to the sound of the old Pacific. ‘Summer Breeze’ is the latest offering from Tim’s second album, the self-produced ‘Hummabyes’, and is a surefire antidote to the winter blues. The track, rolled along by ukelele, also features harmonica, slide guitar and delightful harmony vocals from Anika Moa and Anna Coddington.

This video was shot by award winning documentary maker Briar March at Bethels Beach and directed by Monkey Records label manager Nigel Braddock making his directorial debut.


Tim Guy - Hummabyes

tim-guy-hummabyes.jpgHummabyes is Tim’s second album and is a refreshing set of whimsical alt. country flavoured indie-pop songs chock full of charmingly hummable tunes. He recorded it at home with his flatmates, who just happen to be Anika Moa (bass, bvs) and Anna Coddington (drums, bvs), both acclaimed singer/songwriters in their own right.

As well as Anna and Anika, the Hummabyes album features special guest appearances from a few of Tim’s mates, all NZ music luminaries, including Ed Cake, Jeremy Toy, Age Pryor, Paul McLaney and Steve Abel. Tim recorded and produced the album himself on an eight track and it was mixed by Ed Cake at Platform studios and mastered by Chris Chetland at Kog in Auckland.

Originally from Melbourne, Tim has adopted Auckland as his new home. Back in 2002 he met award winning singer/songwriter Bic Runga backstage after one of her gigs and gave her a demo tape of a few of his songs. Bic liked them so much she offered to produce his album and she ended up playing drums and guitar and lending her voice to the material as well. The resulting critically acclaimed album ‘Blazey’ was released in 2004 on Bic’s label ‘Nu Shoo Records’.

Tim played support for Bic on her Acoustic Churches tour that year, performing 25 shows to over 15,000 people, and since then he has been in constant demand touring with the likes of Anika Moa, Miriam Clancy, Paul McLaney, Age Pryor, Steve Abel and Tommy as well as undertaking his own 33 date solo tour in 2006.

Hummabyes

Tim Guy - Hummabyes (CD) $20.00
01. Protection $1.75
02. Love for Sale $1.75
03. Stephen $1.75
04. Summer Breeze $1.75
05. Make Down $1.75
06. Cater for Lovers $1.75
07. Rescuer $1.75
08. Here and Now $1.75
09. Modern Love $1.75
10. Secrets and Golden $1.75

Reviews

“This gentle album is so light it makes the Bats sound like Thin Lizzy.
Auckland-based singer-songwriter Guy has stripped his music back to airy arrangments for guitar and bass (with ukulele, slide, harmonica and triangle where required) but the whole thing has a summershine spaciousness and the smart production lets these whimsical (but never twee) songs breathe even more gently.
Beautiful backing vocals by Anika Moa and Anna Coddington, a few classy but discreet guests, and who knew the Tokey Tones would ever have such a profound influence?
Soft pop which just charms like crazy — right up until the final track which is a funny and wheezy singalong for drunken uncles at a wedding.” Graham Reid, Elsewhere

“Transplanted Australian singer-songwriter Tim Guy makes his home in Auckland these days. And what a home it is. Among his flatmates are Anika Moa and Anna Coddington, both of whom form Tim’s band The Tutaes with Anika playing bass and Anna handling the drumming duties. Hummabyes is an unassuming little pop gem. The ten tracks were recorded on Tim’s rickety reel-to-reel tape recorder with plenty of lo-fi tape hiss in evidence. But the cosy homemade vibes shines through in songs like Protection, Love For Sale and Stephen. Anika and Anna chirp away in the background while Tim provides jangly guitar and a warm, hushed vocal. Guest musicians drop by around for a wee chat. That’s Ed Cake playing and singing on Protection, Jeremy Toy chiming in on Make Down and Age Pryor’s ukulele on the gentle Summer Breeze. Pryor, Paul McLaney and Steve Abel join in for a drunken sing along on the closing track, Secrets and Golden. This is Guy’s second album; the first was released on Bic Runga’s Nu Shoo label in 2004. It sounds like Guy has insinuated himself nicely into the Auckland musical scene. This album isn’t going to conquer the world but that’s not the point. It’s the sound of a handful of mates getting together to make some music. Feel free to join in.”  **** (four stars) Marty Duda, Real Groove

“… if Tim Guy were to sing these songs to me as we sailed our rowboat into the lazy horizon, I’d sure be perfectly happy. It’d be ok, because his bandmates Anna Coddington and Anika Moa would be there singing the sweetest harmonies this side of the Tasman, and tastefully augmenting Tim’s guitar work with their bass/drums combo. I guess my point is, this is some hardcore sleepily romantic music. It all sounds effortless and the songs roll along like some kind of blissed out Sunday afternoon.“  Matt Crawley, Eavesdrop

 

 


Blazey - Reviews

Seemingly out of nowhere comes this top class debut from Australinewzealander Tim Guy. Yes, it’s produced by Bic Runga and she’s all over the album, along with Ed Cake, Ben Maitland, Milan Borich, Brady Blade and many other genius talents. All that aside, it’s a great album that Tim Guy wrote, so lets talk about the music.
Starting with a low-fi blues piece, Blazey soon achieves the extremely pleasant country tinged pop rock that it delivers consistently throughout. Guy has a head for melody & the emphasis is on keeping it relatively simple, laid back, and pretty. My picks are ‘Different Feather’, the toe tapper of the set, with cool harmonies and lyrics about trains, and ‘In the News’, just because it’s really good. Oh, they’re all good…

Pavement